In this two-day workshop, you will create a copper etching plate, designed with the idea of adding color, pattern and texture to your image using thin pieces of cut paper that are laminated to and printed on in the final image via the etching press. Experiment with the range of effects that you can achieve by combining printed line art with cut paper. Participants work from a workshop held in Wales 2018 – reduction woodcuts made on a 2 day workshop.Chine collé is the technique of using an etching press to both print and collage onto your paper at the same time seamlessly, with one pass. Click hereĮlspeth Lamb with her book “Nagasaki Cantrips” Rare books collection Mitchell Library Glasgow. Here is a great YouTube film featuring Elspeth. All cutting tools and specialist Japanese papers will be supplied and included in the cost.įor further information or to book this course contact Elspeth here Images may be portrait or landscape format.Further instructions will be sent out nearer the course suggesting things you may want to bring.
Demonstrations of different techniques will be shown.ĭue to the short time involved we will be working to a maximum size of 17 x 24 centimetres. Elspeth will oversee each stage in the process and everyone should achieve a small edition of colour prints to take home.
MOKU HANGA WATERCOLOR PAINTS HOW TO
Over the course of the two day workshop, participants will learn how to carve and print a block using a method called ‘reductive’ printing, in order to achieve colour prints. All tools and materials including cutting tools and brushes are provided along with details of stockists. The paint is applied to the image with brushes and the image transferred to paper with the aid of a pressure pad known as a baren. It is an ideal print method for teaching in schools or practicing at home and the tools required are very accessible. It only differs slightly in technique from those prints we recognize by artists such as Hiroshige and Kuniyoshi. Japanese woodblock printing is a technique which involves inking the block with watercolour paints and specialist brushes as opposed to the western form of printmaking which utilizes oil based solvent inks applied with rollers.
She is a practising international artist and has been an elected Academician of the Royal Scottish Academy since 1991.įee: £110 for 2 days inclusive of all woodcut tools and materials Her book, “Papermaking for Printmakers” was published in 2006 by A&C Black, Bloomsbury Press ,London. In September 2014 she presented a paper on her research into papermaking and print in Tokyo at the Second Mokuhanga Conference held at Tokyo University. Here is a great Youtube video featuring ElspethĮlspeth Lamb taught Printmaking at the Edinburgh College of Art for 21 years and over the last several years has studied with master printers and carvers in Japan. Some specialist Japanese papers will be supplied, and further paper may be purchased.įor further information or to book a place on the course contact Elspeth here. Further instructions will be sent out nearer the course suggesting things you may want to bring. Images may be portrait or landscape format. We will be working to a maximum size of 17 x 24 centimetres. Western woodblock printmaking will also be demonstrated and where relevant, this technique may be used alongside the Mokuhanga method to achieve the final print or to make a black and white image. Over the course of this four day workshop, participants will learn how to carve and print 2-3 blocks using ‘Kento’ registration, to achieve a colour print. All tools and materials including cutting tools and brushes are provided. The paint is applied to the image with specialist Japanese brushes and the image transferred to paper with the aid of a pressure pad known as a baren. The ‘greener’ philosophy of Mokuhanga being entirely waterbased fits well within the contemporary world. Today, Mokuhanga only differs slightly in technique from those prints we recognize by artists such as Hiroshige and Kuniyoshi. Japanese woodblock printing (Mokuhanga) is a technique which involves inking the block with watercolour paints and specialist brushes as opposed to western forms of printmaking which mostly utilize oil based inks applied with rollers. Elspeth Lamb 10-4pm each day 4 day course fee- £195 East meets West : a fusion of eastern and western printmaking.
0 kommentar(er)
